![the Testaments [MINI REVIEW]](https://uponthepages.wordpress.com/wp-content/uploads/2019/09/image1.jpeg?w=825&h=510&crop=1)
“More than fifteen years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.
Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.
As Atwood unfolds The Testaments, she opens up the innermost workings of Gilead as each woman is forced to come to terms with who she is, and how far she will go for what she believes.
“Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we’ve been living in.” –Margaret Atwood”
“As they say, history does not repeat itself, but it rhymes.” ― The Testaments
As some of you might know, I finished The Testaments shortly after it’s release! I got my book in the day of it’s release (the same day I miraculously sprained my ankle leaving the bookstore) and I absolutely devoured it. My copy is full of green sticky tabs because there was SO many things I felt I needed to tab.
I decided to make this a mini review because I didn’t critically read it and write notes like I do with books that I usually will write longer reviews for. I just read this one for pure enjoyment and it was wonderful. I ended up giving it five out of five stars over on Goodreads because it was that good. Let’s talk about the things that I loved:
I thought the writing in this book was impeccable. I recently read the Handmaid’s Tale this year and I loved Margaret Atwood’s stand out writing in that novel as well. But, WOW. The writing in this novel makes it so much easier to binge-read. I found it much more entertaining and I didn’t feel like I had to stop and re-read the page like I did with the first book. I don’t know if it’s because the Handmaid’s Tale is such a popular feminist classic that it was daunting or I just simply enjoy this second book more. I definitely think there’s a shift in the writing style so if you’re looking for that same writing in the Handmaid’s Tale, I don’t think it’s here.
Another thing that made this book even more entertaining is that we get three POVs instead of one. I was ecstatic when I realized this. You get to know Gilead much better because you’re experiencing it in the eyes of three very different women. We follow a young girl growing up in Canada with a secret and mysterious link to Gilead, one girl growing up in Gilead (although to a wealthy family) and Aunt Lydia — a character we know from the first book. As much as I loved reading Aunt Lydia’s POV, I found the other girls POVs just as interesting and intriguing.
There’s a few scenes in this book that almost felt too real that it was scary. I think that’s a huge reason why Margaret Atwood wrote this book because so many of these things you’d expect in Gilead, are happening here in the United States. For example, there’s an Aunt Lydia scene where she’s been questioned about her past life (abortions, divorces, etc.) by a man essentially hiring her and I was so on edge the entire time. It’s upsetting how this way of thinking is real.
If you loved the Handmaid’s Tale because of how feminist it was, I think you’ll LOVE this novel. While the writing style isn’t as dramatic as the first book, I think the impact is still the same and this book proves it’s point. Also, if you’re wanting to know more about Gilead, this is definitely the book for you!
Buy the Testaments at your local bookstore!
“More than fifteen years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.
“Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity, and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and for women to become defined by their profession, not their partner. Mary Wollstonecraft’s work was received with a mixture of admiration and outrage – Walpole called her ‘a hyena in petticoats’ – yet it established her as the mother of modern feminism.”
Newly translated and unabridged in English for the first time, Simone de Beauvoir’s masterwork is a powerful analysis of the Western notion of “woman,” and a groundbreaking exploration of inequality and otherness. This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as it was back then, and will continue to provoke and inspire generations of men and women to come.
“The Handmaid’s Tale is a novel of such power that the reader will be unable to forget its images and its forecast. Set in the near future, it describes life in what was once the United States and is now called the Republic of Gilead, a monotheocracy that has reacted to social unrest and a sharply declining birthrate by reverting to, and going beyond, the repressive intolerance of the original Puritans. The regime takes the Book of Genesis absolutely at its word, with bizarre consequences for the women and men in its population.
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